The history of the house of Handwerk 5

In the Mid­dle Ages, craft was pri­mar­i­ly the street in which the cloth mak­ers lived.
Oppo­site of Handw­erk 5 is the Cloth Maker's Guild House. Here, the guards were exam­ined and sealed by the guild mas­ters, so that when the goods were sold to whole­salers and mid­dle­men or direct­ly to guilds that were fur­ther processed, the cloths did not have to be checked again.
The pow­er­ful cloth man­u­fac­tur­ers did not have their looms in their hous­es in the craft, but in the Niko­laivorstadt. So it was pos­si­ble to rep­re­sent in the hous­es of the cloth mak­ers, also in Kränzel­straße and in Weberstraße.

A short jour­ney through time fol­lows through our house, to which we cor­dial­ly invite you.

 

Chris­tine and Dieter Gleisberg

  • 12th – 15th century

    Two cel­lar com­plex­es from the Goth­ic and Renais­sance peri­ods on dif­fer­ent lev­els were used, as is com­mon in the Mid­dle Ages, for stor­ing veg­eta­bles and oth­er foods in order to get through the winter

  • around 1700

    The baroque roof truss is orig­i­nal, except for a few changes. It was built around 1700 after the hous­es were no longer gabled.

  • in the 19th century

    The floor plans are not as large as those of the trad­ing hous­es on the Unter­markt, in Petersstrasse or Neißs­trasse, but there is enough space to receive guests in hall-like rooms.
    Here at Handw­erk 5 there is a Renais­sance hall on the ground floor with an area of ​​around 50 m². Before the ren­o­va­tion in the 19th cen­tu­ry, there was anoth­er baroque hall of the same size on the first floor.

  • around 1819

    The stair­case was rebuilt around 1819 after the last major city fire in accor­dance with the Sax­on Fire Ordi­nance. The baroque wood­en stair­case was replaced by a stone stair­case and parts of the old rail­ing sys­tem were reused. Dur­ing this time, the wood­en beam ceil­ings with plas­ter base, plas­ter and stuc­co were also upgraded.

  • around 1820

    Almost all doors, includ­ing the front door, are from around 1830 and are still in use today.
    The floors were large­ly pre­served and refur­bished, except in the bath­rooms.
    The facade was renewed around 1925 and parts of the entrance por­tal were removed.

  • approx. 1910

    The stove ceram­ics found in the hall, under the old plank­ing, were used with a vari­ety of stove tiles direct­ly at the point of demo­li­tion as fill­ing mate­r­i­al in the spaces between the planks.
    Trans­port was dif­fi­cult and expen­sive, but the labor force was not. This is how the numer­ous sav­ings sheets were bricked up in the hall.

  • approx. 1925

    In the court­yard all rub­bish and ash pits were used waste and old house­hold items
    buried. For exam­ple, we were able to KPM porce­lain, grind­stones, parts of the entrance por­tal, frag­ments of clay jugs and bowls, liqueur glass­es and bot­tles, a brass knuck­le and a shoe heel hold.
    From a com­par­a­tive­ly short past, we found an ingrown sofa under lush greenery.

  • 1948

    The exten­sion in the court­yard was cre­at­ed after a build­ing appli­ca­tion from 1948 and was the kitchen of the
    Restau­rant "To the fresh spring" which was held in the hall.
    In the past cen­tu­ry until the time of the peace­ful rev­o­lu­tion, there were sev­er­al apart­ments in the house. with­out own toi­lets and with water con­nec­tion in the stairwell.

  • 1998

    We acquired the prop­er­ty in 1998 and refur­bished it in 1999 accord­ing to mon­u­ment con­ser­va­tion require­ments.
    All require­ments for a con­tem­po­rary home have been met with the nec­es­sary house tech­nol­o­gy inte­grat­ed incon­spic­u­ous­ly.
    Such a high pri­or­i­ty for mon­u­ment pro­tec­tion also means that e.g. Doors and win­dows do not meet the cur­rent ther­mal insu­la­tion require­ments that must be met in new build­ings.
    The numer­ous advan­tages are in oth­er places in the mon­u­ment, e.g. the few but sol­id out­er walls with the com­par­a­tive­ly small win­dow open­ings are con­ducive to the cli­mate in the house.
    The reuse and reuse of exist­ing build­ing fab­ric is not only sus­tain­able, but also shows the user some­thing unique and spe­cial from the build­ing his­to­ry of the house.

  • 2010

    The court­yard is bor­dered on all three sides with a wall of dif­fer­ent heights. From this it can be con­clud­ed that the house has always been a closed and mea­sured plot. Many prop­er­ties in the his­toric old town still had an undi­vid­ed court­yard.
    Today there are apart­ments in the house.

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